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CORE:
Karen
Christopher (performer/collaborator) received her BA
in theater arts from Pomona
College, Claremont, California, and her MFA in film
and video from Columbia
College, Chicago. She studied with Thomas Leabhart,
Leonard Pronko and Jerzy Grotowski. She worked with Chicago
Actors Ensemble and the Neo-Futurists before joining Goat Island in 1990, and has toured extensively
with the company. Karen teaches part-time in the Film &
Video Department at Columbia College Chicago, and edits
video for the Program in Communication & Medicine at Northwestern
University Feinberg School of Medicine.
email
Matthew
Goulish (performer/collaborator) received his BA in
theater from Kalamazoo
College. He co-founded Goat Island in 1987, and has
toured extensively with the company. 39 Microlectures
- in proximity of performance, a collection of his
writings, has been published by Routledge,
London. He teaches in the Liberal Arts Department and the
MFA Writing Program of The
School of the Art Institute of Chicago.
email
Lin Hixson (director/collaborator) received her undergraduate degree
in education and political science from the University
of Oregon, and her MFA in performance from Otis
Art Institute of Parsons School of Design. She was a
founding member of the Los Angeles performance collective
Hangers (1978-1981) and has mounted over thirty interdisciplinary
performances since 1981. She co-founded Goat Island in 1987.
She is a full Professor in the Performance Department at The
School of the Art Institute of Chicago. She has received
three NEA fellowships in New Genres, one NEA fellowship in Choreography,
and three Illinois
Arts Council fellowships.
email
Mark
Jeffery (performer/collaborator) received his BA(HONS)
in Visual Performance at Dartington
College of Arts, UK. He was awarded Junior Fellowship
in Live Art at the University
of the West of England in collaboration with Arnolfini
Live and funded by the Live Art and Higher Education
Program of the Arts
Council of England. The fellowship addressed the themes
of site and audience, and two commissioned solo works were
made. In 1997/1998 these two works were toured across the
UK (including ICA (London), the National
Review of Live Art (Glasgow), Green
Room (Manchester)), through a Combined Arts Award of
the Arts Council of England. In 1999 he presented mutt,
a commissioned solo from Chapter
Arts (Cardiff). He joined Goat Island in 1996. He is
currently a visiting part-time lecturer at The
School of the Art Institute of Chicago.
email
Bryan
Saner (performer/collaborator) received his BA degree in sculpture and religion
from Bethel
College in Kansas. He studied improvisational and modern
dance, choreography, and performance at the MoMing Dance
and Arts Center in Chicago. His solo performance works were
performed in festivals and theaters throughout the United
States. He was founding member, collaborative choreographer
and performer with the Chicago performance group Sock Monkeys
from 1989-1993, and performer with Kast and Company from
1993-1995. He became a member of Goat Island in 1995. Bryan
is a carpenter and runs a small furniture making/contracting
business. He teaches performance with Goat Island's annual
Summer Schools and has been involved in alternative education
throughout his whole career. From 1980 to 1990 he was the
arts director at the Lake View Academy, an alternative high
school in Chicago. In 1996 he collaborated with his wife
Teresa and their neighbors to develop the Sunflower Community
School. A family cooperative child directed elementary school
for their children. Bryan and Teresa have one son, Jacob.
They live in Chicago in a co-owned housing collective with
some old Bethel College friends.
email
Litó
Walkey (performer/collaborator) studied dance and composition
at the School
for New Dance Development in Amsterdam, Holland. She
has been creating and presenting her own work since 1996,
and co-founded the Liminal Institute, a collective of young
European choreographers, in 1998. She has recently worked
as a collaborative choreographer and performer with Paz
Rojo and Vera Mantero. Litó joined Goat Island in
2002.
email / web
ASSOCIATE:
Cynthia Ashby (costume designer) has become a leading name in clothing design. She oversees a successful design business, specializing in linen, cotton, silk, and wool, finely detailed in design and construction, and garment dyed, creating uncommon depth and texture. She has designed clothing for the past three Goat Island performances.
email / web
Lucy Cash (formerly Lucy Baldywn) (film and video maker/movement artist) is a film-maker,
choreographer and performer. She trained in film and
performance at Bristol University, UK; and has been
making her own working and collaborating with others
since 1998. Her film work has toured internationally
and been shown on FilmFour and BBC. Her collaboration
with Goat Island began with a 10 minute S16mm film in
2000. it's aching like birds remembers certain
fragments from it's an earthquake in my heart and
re-imagines them for the camera.
email
CJ Mitchell
(development and fundraiser) joined Goat Island in 1998 as manager, administrator, and associate fundraiser, bringing with
him years of arts administration experience. He is Executive Director of Links Hall in Chicago, and runs the
False Walls CD label.
email
Judd Morrissey (writer and digital artist) is a writer and computer programmer whose work in electronic literature has been widely and internationally received and exhibited. With his hypertext, The Jew's Daughter, he introduced his unique form of digital narrative, an unstable, self-evolving, virtual page that continuously re-writes itself in response to the reader. My Name is Captain, Captain, a digital 'night-flight' poem created in collaboration with Lori Talley, was published by Eastgate Systems in 2002. Judd is now concentrating on a new work in progress, The Error Engine, an experiment in writing and artificial intelligence that reflects his ongoing concerns with the relationship of literature and accident and the nature and future of the book. He teaches in the Art and Technology Studies department at the School of the Art Institute of Chicago.
Judd received his MFA from Brown University. His work has been included in symposiums and exhibitions such as Anteroom Site Unseen Chicago from The Error Engine (London, Chicago and Providence), The Mooring of Richard Anynumber Taxi Gallery (Cambridge, UK), Nottdance 05 (Nottingham, UK), Cerisy 2004 (Normandy, France), Computers and Writing 2004 (Honolulu, Hawai'i), The Book Reconsidered (Boston), E-poetry 2003 (University of West Virginia), Language and Encoding (University of Buffalo), ELO State of the Arts Symposium (Los Angeles), WebRacket at the DeCordova Museum (Lincoln, Ma), DAC2001 (Providence), p0es1s: International Exhibition of Digital Poetry (Germany), File2001 (Brazil), and Digital2000 (NYC, Philadelphia). His pieces have been reviewed by The New York Times, The New Republic, RAINTAXI, The Iowa Review, and TENbyTEN magazine.
email / web
Margaret
Nelson (technical director). Margaret's design projects
and production management assignments have taken her to
every state of the USA and six continents, and have earned
her both the Ruth Page Dance Achievement Award and a Joseph
Jefferson Citation. She is Lighting Designer in Residence
for Columbia
College's Theater Department (Chicago). Recent projects
include lighting design for the Chicago
Gay Men's Chorus, for Notre Dame's Easter Special for
NBC Juba, the Masters of Tap, and Dance Africa Chicago for
WTTW, three years as production manager for Navy Pier's
Skyline Stage, as well as producing benefits for Old St.
Pats Church and the Children's Memorial Foundation. Margaret
was also the PSM and lighting director for the 1997 through
2002 Dance Chicago festivals, and currently tours with Jump
Rhythm Jazz Project and HSDC 2. Margaret joined Goat Island
in 2002.
email
Chantal Zakari (artist and designer) was trained as a graphic designer and also as an artist. She has been designing personal work for the medium of the Web practically since its inception in the early 90s. She collaborated on a web journal The Turk and The Jew with her husband Mike Mandel while he lived in Pullman WA and she in Chicago IL. In 1998 they published the work as an artist' book.
In 2001 under the pseudonym Show-n-tell she began a 4 year long performance and documentation of an adult webcam community. Her book webAffairs, a photo/text narrative that she designed and authored was published in 2005.
Zakari is also collaborating with Mike Mandel on a body of work about the conflict between secularist culture and the Islamist movement in Turkey. Their journey which began in 1997, has resulted in photographic images, video interviews and public performances. They are currently working on compiling the work into an artists' book.
Zakari is a faculty member at the School of the Museum of Fine Arts in Boston..
email / web / webAffairs
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